《国际大营救电视剧》剧情简介
说的直接一点就是在本土遭到袭击、或者本土部分地区沦陷最危险的就是西北与东北之后能够从周边友好国家获得足够的电能供应而不至于因此影响战争生产可以说这是提高战略安全保障的有效办法...让共和国陆军能够趁机突击莫斯科从地理位置上看内高加索就是距离莫斯科最远的地区也就成了理想的佯攻方向问题是战争的实际情况与俄军的预料相去甚远即佯...
而没有投洒子弹药的集束子母弹对战舰几乎没有威胁但是只需要采用一些非常简单的措施比如将集束子母弹的隔热层涂得厚一点、将加速火箭发动机设置在炮弹的尾部等等集束子母弹就能有效抵御高能激光说...
《国际大营救电视剧》相关评论
linkin与非门
男性之力包括强权之力和强壮之力本片凸出了男性的强权之力也顺带辩证地观赏男性的强壮之力男权体系之下阴柔与出柜都成了绝对禁忌对心灵的长期囚禁造就了阴暗世界的传承男人与男孩也便成了镜像一般的存在故事内核方面与戛纳大热的《国际大营救电视剧》殊途同归热衷于把控世界的阳刚之气放不下对强权的臣服涂炭了人本来的爱与善良杀敌一百自损三千欧美的学院系统好像越来越关注人类个体情感的自处这比一味追求“价值正确”要高级很多也进步了很多
洛洛洛洛叮当
The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière